TvTuc

Propose Day SMS with Humor
Boy: Would You Mind Sharing Your Address With Me
Girl: Why
Boy: Because That Is Where I would take my marriage vows one day

Propose Day SMS For Die Hard Romantics
When I hear You
My Heart Soars High
When I See You
I know the Reason Why
So Let Me Hold Your Hand & Make You Mine
For That Would Intoxicate Me Like Sweet Wine

Propose Day SMS for College Students
I Love You For Not What You Are But What I become when I am there with You. SO be with me forever

Propose Day SMS for Your Sweetheart
Come sunshine or showers
Come good time or bad
I will always be there to cheer you up
Or just to hold your hand and say
I know How you feel and I care

The sweetest way to propose:
“Excuse me, do you have a band aid,
because i scrapped my knee
when i fell in love with you.”

Propose SMS:
I have a heart n that is true,
But now it has
gone from me to u,
So care for it just like i do,
B’COZ i have no
heart n u have two.

Hume tumse Love hai
Please refuse na karna..
Ye zero watt ka hope bulb hai
Please ise fuse na karna!!!

As days go by, my feelings get stronger,
To be in ur arms, I can’t wait any longer.
Look into my eyes & u’ll see that it’s true,
Day & Night my thought r of U..

Let the record show that 2010 was the year of older women being viciously tackled in Super Bowl commercials. It’s about time: These old biddies have been getting away with far too much lately.

Of course until kickoff, 2010 was known as the Year of the Tim Tebow Pro-Life ad, in which the ex-Florida quarterback and his mom teamed to bring America a message funded by that conservative Christian fun bunch, Focus on the Family. The commercial was kept strictly under wraps until Sunday morning, when CBS released what turned out to be a rather timid, benign message which had Mrs. Tebow talking about her “miracle baby.”

But in the version that actually aired during the game, a strange thing happened. As Pam Tebow finished her little spiel, Tim suddenly flashed in from stage left and took her out with a rather aggressive tackle. Well, that’s gratitude for you

(1) The Late Show With David Letterman Ad with Dave, Oprah, and Jay Leno – This is the one ad that made you go what, wait, what? Plus, it was funny and a brilliant marketing move for both Jay and Dave, even though it was supposed to be an ad for >The Late Show. It got people talking about both of them.

(2) Snickers Ad with Betty White and Abe Vigoda – This was the first ad that at least got me chuckling. Great representation of not feeling like yourself, even if a Snickers bar won’t really get you going, the ad was funny. Plus, Betty White is the queen of comedy and has a great sense of humor about herself

(3)Bud Light Stranded Ad – Nice parody of Lost, which right now is at the top of my TV viewing thinking, so really liked this one.

(4) Doritos House Rules Ad – Little kids are funny, especially when they do something you aren’t expecting, like telling his mother’s suitor to keep his hands of his mother and his Doritos.

(5) Google Parisian Love Ad – It’s always interesting just how little you actually need to tell a compelling story, like a few search terms for example. It was cute, told a nice story, but didn’t quite get the people that were getting all weepy over it, it wasn’t that good of a story. Mostly, I was just shocked to see an ad for Google on my TV, as I don’t recall ever seeing one before.

Who’s your favorite Danish film director? Favorite Danish film? No? Nothing? Don’t feel bad, I’ve never seen a movie from Denmark either. (And no, Lars Von Trier’s home video art projects don’t count as movies.) I’ve finally seen my first one though, and if it’s any indication of the country’s typical output I’ll be looking for more in the very near future. It mixes mystery, black comedy, and some eerie small town shenanigans into a delicious, crazy-filled danish of Coen-esque proportions. In fact, if one half of the Coen Brothers (doesn’t really matter which) took a flight from LA to Denmark and watched nothing but ‘Twin Peaks’ from takeoff to landing Terribly Happy is quite possibly the movie he’d go direct upon exiting the plane. Robert Hansen (Jakob Cedergren) is a big-city cop with emotional issues. He’s been reassigned to a sleepy little town in rural Denmark to work through his problems, but as we all know small towns come with their own special brand of troubles. His new neighbors include the town bully, an abused wife, a young girl who wanders the streets at night pushing an empty baby carriage, and an odd trio of card players eternally in search of a fourth. And then there’s the town’s singular geographical attraction… a bog sits on the outskirts of town and like any bog worth it’s weight in muck this one is home to more than a few secrets. Ingerlise (Lene Maria Christensen), the battered wife, comes to Hansen for help with her domestic problems, but can she be trusted? Unbruised, American women can get pretty wonky at times, so just imagine how mixed up this beaten broad for Bumfudge, Denmark is feeling. Hansen tries to help but is quickly reminded why the saying “no good deed goes unpunished” is a saying in the first place. You see, Ingerlise’s husband is the feared and violent town bully… Terribly Happy fits right in with the grand tradition of small town paranoia films. There’s a newcomer from the big city, the locals are suspicious, untrusting, and secretive, and there’s a general sense everything is just a bit… off. The preferred method of dealing with teen shoplifters is a solid swing to the face, and when Hansen refuses to comply one of the town’s residents does it for him. The bog seems to be a final resting place for most of the town’s troubles, and that means both exactly what you think and what you’re not thinking. Everybody knows everyone’s business and they have definite plans for Hansen. As an anti-spoiler I’ll say this is pretty far removed from the likes of Dead & Buried and The Wicker Man, both of which also saw an outside member of law enforcement come to town with unfortunate results. Does that tell you what does or doesn’t happen in Terribly Happy? Not in the slightest. But maybe the cat that tells Hansen ‘aloha’ in Danish might clear things up a bit…

The official Danish selection for this year’s Academy Awards and winner of 7 Robert Awards (Danish Oscars) including Best Picture, Director, Actor, Actress and Screenplay, TERRIBLY HAPPY spins a riveting yarn about Robert Hanson (Jakob Cedergren), a Copenhagen police officer who, following a nervous breakdown, is transferred to a small provincial town to take on the mysteriously vacated marshal position and subsequently gets mixed up with a married femme fatale. Robert’s big city temperament makes it impossible for him to fit in, or understand the uncivilized, bizarre behavior displayed by the townspeople.

Quickly spiraling into an intense fable, director Henrik Ruben Genz displays a unique and sometimes macabre vision of the darkest depths to which people will go to achieve a sense of security and belonging.

Jackie Chan’s mix of slapstick comedy with lighting-fast action has earned him the nickname “clown prince of kung fu.” In recent years in a desire to improve his acting skills and change his image, Chan has tried to take on roles that are more dramatic. His new Hong Kong movie, Shinjuku Incident, is definitely a stark contrast to his popular, but light Rush Hour movies. Shinjuku Incident is more violent than Chan’s typical films to the point that he and the movie’s director Derek Yee have decided to not release it in China  because they do not feel it will pass the government’s censors. They considered cutting out some of the violence, but decided against it because they felt the movie would lose some of its honesty.

Jackie Chan’s last few movies have not been big hits and Shinjuku Incident will not end that streak.

Steelhead (Chan) is an illegal immigrant that goes to Japan to find his missing girlfriend, Xiu Xiu (Xu Jinglei). After a few weeks of working low-paying jobs and beginning to lose faith that he’ll find her, Steelhead sees Xiu Xiu with another man. He learns that she is married to a Yakuza gang leader named Eguchi (Masaya Kato, Godzilla) and she’s changed her name to Yuko.

After his friend Jie (Daniel Wu, Around the World in 80 Days) is attacked by a local gang, Steelhead organizes the other Chinese in the area to fight back. Steelhead becomes a community leader after his group has a successful encounter with the gang that attacked Jie. Steelhead meets Lily (Fan Bingbing), a nightclub owner, when he saves her from a robbery attempt. They quickly become friends with the possibility that their relationship may become more in the future. Steelhead also makes friends with a local police detective, Kitano (Naoto Takenaka), after he saves Kitano’s life.

Steelhead eventually gets mixed up with Eguchi and the Yakuza hoping that he can use them to help set up legitmate businesses for himself and his friends. All heck breaks loose, when fighting begins within the Yakuza and greed starts to poison the minds of Steelhead’s friends.

Longtime fans of Jackie Chan may be disappointed with Shinjuku Incident because the mix of laughs and kicks that has made Chan a international star are missing here. The laughs and smiles so common in other Chan movies are replaced with sorrow and anger. The punches and kicks we all enjoy are substituted with swords and knives slicing and dicing off anything that gets too close.

A little too grim, actually. Chan has tried and succeeded with serious thrillers before (like the 1993 “Crime Story”) but this film isn’t just dramatic, it’s depressing. And taking away Chan’s physicality takes away too much. Forced to rely on facial expressions for his performance, he’s mostly glum and glummer.

A better director might have helped. John Woo, for example — who Chan last worked with more than 30 years ago, when both were doing cheap kung-fu movies — is an old hand at this kind of neo noir. The story of “Shinjuko,” with its shifting loyalties, lost loves and feeling of fatalism, seems almost made for Woo.

Unfortunately, director Derek Yee isn’t nearly as accomplished. The night scenes aren’t just gloomy but dark, and a climactic battle is confusingly edited. Nor is he very good at clarifying the complicated plot, which involves several factions slipping into an all-out war.

It is great to see Chan on screen again, without having Chris Tucker yammering at him, and bearing up under an onslaught of clichés and bad jokes. And it’s not surprising that, like Chow Yun-Fat, Maggie Cheung and other Asian stars, he had to go home to get some respect.

But dignified shouldn’t be a synonym for dull, which is what Chan often is here. In the end, “Shinjuku Incident” is like “The Towering Inferno,” and those other “straight” parts Fred Astaire did towards the end of his career. Yes, it’s still marvelous to see the star on screen, in anything. But, please — couldn’t he just dance a little?

Action-flick junkies in the U.S. should be worshipfully grateful to the French purveyors of the form, most notably grand master Luc Besson. The writer, producer and director has left his imprimatur in one way or another on all manner of international movie mayhem, including the “Transporter” series; Liam Neeson’s recent showcase, “Taken”; the John Travolta vehicle “From Paris With Love” (see review below); the original installment of “District 13″ from 2004; and now the giddily gonzo sequel “District 13: Ultimatum.”

Besson’s protégé Patrick Alessandrin takes the reigns on “Ultimatum” from director Pierre Morel (who also helmed “Taken” and “From Paris”), but as with the conception of all those other movies, Besson is the brain behind it all.

Besson’s philosophy of breakneck action and spectacular set pieces guides the brilliant blend of physical stunts and cartoon conception of a walled-in slum on the fringes of a near-future Paris. Multiethnic warlords trade in drugs, weapons and the wretched humanity of its citizens — and the cops don’t give a toss about any of it. In fact, the authorities do their darnedest to get the crumbling district (or banlieue) nuked off the map.
The first “Banlieue” film, directed by Pierre Morel, finally made it here in 2006. Now it’s time for its 2009 sequel, directed by Patrick Alessandrin, to stop by.

For first-time viewers, or fans who have forgotten the characters — and even the word “characters” may afford these heroes too much depth — it may take awhile to get into. Damien (Cyril Raffaelli) is a tough, incorruptible cop; Leito (David Belle), an iconoclastic criminal.

They share a moral code, though — and an ability to leap like Hong Kong heroes from balcony to rooftop, before disappearing feet first through half-open transoms or car windows.

There’s not much more to them than that, and the story is similarly spare: A corrupt, quasi-governmental power (the, um, “Harriburton” corporation) wants to demolish Leito’s neighborhood so it can build some hugely profitable new housing.

And if that means the company has to kill a lot of poor people — and even a few cops — along the way, c’est la guerre.

That’s about all there is to it, but the sequel is actually an improvement on the first film with a more diverse cast, several standout action sequences and a wild sense of comic-book, over-the-top camp (one of our heroes puts on drag to go undercover as a kick-boxing prostitute; one of the film’s heroines has a lethal ponytail).

Neither Raffaelli nor Belle is much of an actor — they’re athletes, first and foremost. But that’s what a movie like this needs. And once he moves away from the bullet-fast tracking shots, director Alessandrin does a good job of both keeping the scenes moving and keeping the action clearly understandable and within the frame.

Synopsis: Two years have passed since elite police officer Damien Tomasso (Cyril Raffaelli) teamed up with reformed vigilante Leito (parkour originator David Belle) to save the notorious District 13, a… Two years have passed since elite police officer Damien Tomasso (Cyril Raffaelli) teamed up with reformed vigilante Leito (parkour originator David Belle) to save the notorious District 13, a racially charged ghetto populated by violent drug dealing gangs and vicious killers. Despite government promises to maintain order, the state of the district has deteriorated, and a group of corrupt cops and elected officials are conspiring to cause civil unrest in D13, looking for an excuse to raze the area and cash in on its redevelopment. Now Damian and Leito must join forces again, and use their mastery of martial arts and their unique physical skills to bring peace to the neighborhood by any means necessary… before a proposed nuclear air-strike wipes it off the map. With bone crunching fights and death defying leaps, this adrenaline charged sequel takes the groundbreaking parkour action from DISTRICT B13 to thrilling new heights.

Advertisement :Frozen” isn’t a very good movie, but it is a brilliantly economical one, made in a way to gladden any producer’s heart. It has only three major roles. A lift chair is the principal setting. Most of the action consists of its heroes waiting for something to happen.

In a lot of ways it’s reminiscent of “Open Water,” the 2003 breakout hit that had two scuba divers left behind by a tour operator, treading water and watching the circling sharks. It’s all about the suspense.

It should be, anyway.

But “Frozen” doesn’t work nearly as well, partly because the high-concept plot feels exactly like the gimmick it is. (What’s next? “Down,” about four people stuck in an elevator? “Steps,” about five people stranded on a really big escalator?)

Mostly, though, the problem comes down to the writing. The chief reason that “Open Water” worked was that you believed in the couple in peril long before they were imperiled. You felt you knew them, and you saw their relationship change during the crisis.

But here, despite a long, slow buildup, we never connect with the characters, who barely progress beyond cute boy, cute girl and pothead best friend. And so, when they are finally stranded, we never feel as if we’re stuck up there with them.

It’s not the actors’ fault. What do they have to do here? As the couple, Kevin Zegers and Emma Bell have less depth than the snowflakes drifting past. As the smart-mouth friend, Shawn Ashmore has a little more to work with — and works it — but is still far short of compelling.

Adam Green, who wrote and directed, at least gives the film a good look. The movie is cut together well, with close-ups of the lift’s cold machinery adding just the right feel of inhuman menace. The real locations — and real winter, howling all around — add another important touch.

His beautiful daughter, eyed by the loan sharks of the village adds to Karma’s liabilities. Just when you anticipate where Karma’s struggle for survival will lead from here, the movie switches genres and takes a fictional turn suggestive of the climax of Manoj Night Shyamalan’s The Sixth Sense . You are expected to use your extrasensory perception (read artistic vision) to comprehend the end and its implied message. It’s more of a case of incoherent storytelling over open ending.

The film evidently uses the landscapes of Ladakh as its USP, as the camera captures the beauty of the snow-capped peaks and the rocky terrains in the most magnificent manner. The black and white colour scheme adds serenity to the frames and is gracefully easy on the eye as well. The bright snow gives fair way for the white shade and you don’t miss much on detailing in black.

Unfortunately, as much as he captivates with his brilliant cinematography, Shanker Raman who also writes the film, fails to grip you with his disjointed screenplay. It’s not with the slow pacing or the conventional conflicts of the poor protagonist where he loses the audiences. The ambiguous culmination does more harm.

None of the secondary characters contribute towards the climax making the film appear like a docu-drama about the hardships of a local from Ladakh. The repetitive facades of misty mountains and curvy roads add to the documentary feel. The movie starts as a voiceover account by Chomo but strangely ends with the Lasya’s narration.

The most credible part of the film is its casting with each actor from Danny to Denzil Smith and Shakeel Khan to Shilpa Shukla suiting every bit to their character of Himalayan inhabitants. Danny plays his part effectively. The camera occupies Gauri’s face to the fullest but her act appears emotionally isolated.

Director Shivajee Chandrabhushan attempts his best to present Ladakh in a never-seen-before light but fails to narrate a compelling tale. The film fabulously freezes the splendour of its setting but melts down on sensible storytelling. On that note, Frozen leaves you cold.

This French buddy cop action comedy owes its limited success to John Travolta. If you don’t love him stay an ocean away from this flick

New director Pierre Morel is better known for his twenty years of experience as a cinematographer than for anything related to directing. Even so, the camera work is this smashing action flick is what makes it fun to watch and Morel’s expertise made it happen. Of course the inimitable John Travolta in a bad-guy role makes it fun, too. He takes what would otherwise be just another slap-dash gun fest and turns it into something fantastic. Not fantastic in the sense that everyone will love it; it’s just that Travolta’s acting puts it over the top. When John enters the scene it ceases to be a film that takes itself too seriously. There is a joke in every scene along with the lighting fast action and no holds barred murderous mayhem.

As it turns out Mr. Morel has a way with bullets. This flick is half great gunplay and half great action photography. Travolta is Charlie Wax, a “special agent” sent to partner with US Embassy nerd James Reese (Jonathan Rhys Meyers). It is not completely clear what Reese is doing planting bugs in foreign embassies or what kind of a special agent Wax really is. All the better, nobody cares about such details anyway. Let’s get to the shooting, and fast.

Meet Charlie Wax. He’s a loud, boorish American whose bald-head, quirky shades and ‘screw you’ attitude suggest Bruce Willis’ midlife crisis. Charlie is also a spy, living in France while working to stop an intricate and dangerous web of Chinese drug dealers and Pakistani terrorists. Spy protocol would suggest dealing with such a complex and seemingly unrelated web of villains evasively and covertly. Not Charlie, who snorts coke, tear-asses through Paris shooting people and gleefully fires a rocket launcher from a bridge during rush hour.

Wax is an action movie creature of habit, all macho swagger and raving lunacy while somehow still playing for the home team, and he is on full display in Pierre Morel’s From Paris With Love. In better days we would get Willis as Charlie, but now must settle for John Travolta in the role. To his credit, he certainly gives it his all. Deliriously unhinged and trying to chew up the rest of the scenery he missed in last year’s Pelham, Travolta behaves as if he’s in a different picture than everyone else.

Unfortunately for everyone else, including Jonathan Rhys Meyers as Wax’s straight laced foil, the movie they are in is a frustratingly erratic affair that can’t decide whether it’s a colorful cartoon of explosions and chase scenes or some sort of serious espionage thriller. News flash to director Pierre Morel, who gave us last year’s Taken (aka Liam Neeson eats Paris); when your material focuses on a bald American biker taking on offensively one-dimensional evil nationalities while being as rude as humanly possible, ‘serious’ is not something you should even consider.

All of this has been envisioned as a kind of buddy movie, and it wants desperately to work. On some level, there’s a fun, go-for-broke, b-flick hidden amongst the over-heated pseudo-drama, but not enough of this irritating onion’s skin gets peeled to make it palatable. The obvious problem out of the starting gate is the same one that really prevented me from just going along for this arson-filled ride; it is painfully obvious that Meyers and Travolta have no chemistry together at all.

Overall:

I was on the edge of my seat and smiling for most of the movie, loving the little homages to Travolta’s character in Pulp Fiction. It was also great that every time there was an opportunity to break some glass, they made it happen. If you want to see a movie that’s not top of the line, but partially entertaining, this is it. Because even though it’s not groundbreaking, I still enjoyed myself.

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Los Angeles: Dear John reviews, Dear John movie review & dear john movie trailer. Review of “Dear John”, an adaptation of Nicholas Sparks’ similarly titled novel by Lasse Hallstrom. It is a romantic tearjerker, with love and loss, and love again.

It is story of love between a college student, Savannah and Special Forces soldier, John. Amanda Seyfried and Channing Tatum respectively cast the roles of Savannah and John. They first meet to fall in love in a South Carolina beach when she was on her spring break and John with his military leave.

A turning point occurs when, after 09/11 John was enlisted for a mission in the Middle east. Their love gets limited in making letter correspondences. In a second move, a letter from worried and distracted Savannah says John that she is about to marry someone else.

“Dear John” freely employes coincidences, well-times illnesses and inexplicable and complicated decisions.

What is this strange power that author Nicholas Sparks has over women and a few men? While not all of the films based on his novels have been successful, the ones that have been are actually fairly watchable. The most obvious example of this is The Notebook, which I defy any man to sit through without getting just a little weepy. Then we get crap like Message in a Bottle, A Walk to Remember, and 2008’s Nights in Rodanthe. They made me weep as well, for very different reasons. The latest Sparks adaptation is Dear John, which I had expected to hate with the full power of God and all his forces he commands. I did not. It’s not a great movie, but it’s a movie that surprised me when I had assumed it would be highly predictable and as transparent as a recently Windexed window pane. Under the direction of the usually reliable Lasse Hallstrom (What Eating Gilbert Grape?, The Cider House Rules, Chocolat, Casanova, The Hoax), Dear John is not designed to appeal to teen girls as the young cast might lead you to believe, and for that reason alone I gave it an honest shot at moving me.

Channing Tatum plays John Tyree, a young Army man on leave at home with his uncommunicative father (Richard Jenkins), when he meets Savannah Curtis (Amanda Seyfried from Mamma Mia) at the beach on the Carolina coast. In just a couple of days, they fall in love and promise to wait for each other while he’s gone for a year. But when September 11 happens, John decides to reenlist for two more years, and heads home to let Savannah know of his decision. They try to keep things going, but eventually…well, the title of this film isn’t just a play on John’s name and the fact that the two write letters back and forth constantly. The titular letter, however, comes at about the halfway point in the movie, which surprised me, as did much of what happens after that point.

The most interesting thing about this picture — the thing that might make it work for a viewer in a certain woozy frame of mind — is the deadpan sincerity that director Lasse Hallström brings to the material. He doesn’t see the story as a shop-worn anachronism (it’s set in 2001, but it feels like 1944), and he doesn’t milk it for heart-wringing sentiment (the plot does all the milking on its own). He plays it straight, and invites us to sniffle along if we want. There’s something kind of admirable about this, I guess, in a going-down-with-the-ship sort of way.

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It’s loud, exaggerated, overplayed and spills over with a string of bad performances. A crying family of much-misunderstood Indian patriots wants to be understood. So what does it do? It sends the grand daughter to Pakistan to steal secrets from the evil Pakistani minister, Raza Murad. Now that seems to be kid’s play for our comely young thing. For when she’s not romancing the minister’s son or chopping tomatoes in his kitchen, she’s hacking his computer and downloading confidential files with the help of her Indian boyfriend, who, believe it or not, has bribed his way across the border. As if that’s not bizarre enough, there’s more to this balderdash. Almost all the Pakistanis, other than the ones with mean eyes, wicked grins and skull caps, seem to be hell bent on helping the Indian girl. Aisa bhi hota hai?

Story: Jawahar, who migrated from Pakistan to India during Partition, loses his son, Jatin, an intelligence officer who is labelled a traitor. Some decades later, his grand daughter, Sameera sets out to reclaim the family’s honour by going to Pakistan as an Indian spy. She wants to stymie a Pakistani plot to send terrorists into India. Does she succeed?

Since Jahawar is too old now,his granddaughter Sameera steps in for him and goes to Pakistan to ferret out documents detailings the ISI plans for terror attacks in India.

Cast & crew

Cast:Kanan Malhotra,Raza Murad,Amita Nangia,Vidya Sinha,Seema Bedi
Producer: Jawahar Lal Jairath
Music Director: Dilip Sen
Lyricst: Sanjay Mishra
Singers: Hariharan,Roop Kumar Rathod,Sadhana Sargam,Shaan,jJaspinder,Narula,Shreya Ghoshal,Jawed Ali
Release Date: 05 feb 2010
Genre: Thriller
Language: Hindi

Phaans hindi film story: Phaans story is about Nuclear test at Pokharan in the year 1998.

Movie Plot:

Phaans is a story that revolves around the nuclear test that had happened at Pokharan during year 1998. India & Pakistan were in bad terms and both the countries were at its peak.

Pakistan decided to decalare war but since it was not that easy they planned to attack India by hiring few militants.

When Indian officials came to know about this they thought of only one man Mr.Jawahar who had contacts with top officials of Pakistan and appointed Mr.Jawahar for this job.

During the partition of India & Pakisatan Mr.Jawahar left all his relations and settled in Delhi with his father and started his own business but he continued to have contacts with all the influential poeple in Pakistan.

That was the reason why Jawahar services were used during the 1965 war with Pakistan. Jawahar son ‘Jatin’ was serving in Indian Army was declared traitor by the BSF in 1978 and unable to bear such humilation, Jatin commits suicide. Due to this shock, Jatin`s wife loses her voice forever.

Jawahar`s family is turned upside down overnight and Jawahar is in a bad situation of proving his son`s patriotism. Jawahar runs around to prove that his son was a patriot and not a traitor but no one believes him as he has been working as secret agent for Pakistan. He was also thrown out of job and was forced to leave the lanes of old Delhi and move to Tagore Gardens.

All that Jawahar had in life was his granddaughter ‘Sameera’ as a moral support he appointed her as secret agent and Sameera goes to Pakistant to get some important documents.

Actor : manoj kumar
Actress : Sheena
CAST : Ahuthi Prasad,brahmanandam,Kasi Viswanath,Paruchuri Venkateswar Rao,Sunil,Vijay Kumar
Director : Veeru Potla
Producer : Sunkara Ramabrahmam
Genre :
Music By : Bobo Shashi

The Story : The story is about a young guy Ajay, who always thinks of his future but appears spend-thrift to others. Ajay life goes on smoothly like that but some changes will turn his life completely. What are those changes and what did he achieve is the rest of the story

The film “Bindaas” with the tag line “Ajaygaadi Vijayagaadha”, starring Manchu Manoj and Sheena in the lead roles. This film is being produced by Sunkara Rambrahmam and directed by Veeru Potla. Music has been composed by Bobo Shashi

Bindaas Songs Title And Details

Bindaas is a upcoming Telugu Movie directed by Veeru Potla and produced by Sunkara Ramabrahmam under the banner of AK Entertainments.

The film has Sheena Shahabadi, a new comer as heroine. Musical scores are by Bobo Shashi.

The links where the songs download are available have been provided below.

1. Girija Girija – Karthik,Chinmayi,Chorus-Sam,Santyan
2. Bindaas – Ranjith,Mc Bullet,Coco Nanda
3. Entamma – Karthik,Anuradha Sriram,Manchu Manoj Kumar
4. Suraangani – Jassie Gift
5. Jum Garagara – Shivam,RJ Suchitra
6. Character Of Ajay – Santyan,Sam,Suvi
7. Spirit Of Bindaas – Hemachandra
8. Suraangani (Version-2) – Mc Bullet,Coco Nanda